Archive | September, 2009

Two Contests from FC2

30 Sep

Start making final edits to your manuscript now, because you’ll definitely want it ready for November 1—that’s the last day to get your pages postmarked and to FC2 offices in time for their big-money prizes.

The first is the FC2 Catherine Doctorow Innovative Fiction Prize, worth $15,000 and publication by FC2. See eligibility and guidelines.

The second is the Ronald Sukenick/American Book Review Innovative Fiction Prize, worth $1,000 and publication by FC2. See eligibility and guidelines.

ASF contributor Amelia Gray won last year’s competition with her Museum of the Weird, which is expected to be published in fall 2010. See what FC2 judges had to say.

For contest updates and full information on FC2’s mission, history, aesthetic commitments, authors, events, and books, see fc2.org.

Sound the Siren: Writers Conference Alert

29 Sep

ASF has it on good authority that applications for Sirenland 2010 are open, now through October 31.

Join writers Dani Shapiro, Jim Shepard and Ron Carlson, along with One Story magazine for the Sirenland Writers Conference. Advanced fiction and memoir workshops happen at the five-star hotel Le Sirenuse, in Positano, Italy. Just try to imagine doing something better during the week of March 21-27, 2010.

Individual attention, private time for writing, and excursions to nearby Pompeii and the Isle of Capri are available.

To apply: submit a brief statement of purpose (~250 words) and a writing sample (less than 7,000 words). All applications will be taken online at www.sirenland.net. Organizers say the workshop will be “limited,” so submit soon. Final deadline: October 31, 2009.

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On this side of the pond, at least one ASFer recommends the Blue Flower Arts Winter Writers’ Conference, featuring Nick Flynn, Gregory Orr, and Terese Svoboda as faculty in memoir/nonfiction, poetry, and fiction, respectively.

The conference is hosted at the Atlantic Center for the Arts, in New Smyrna Beach, Florida. Register now to catch the “free-flowing schedule” that promises daily 2.5-hour workshops, open studio time for writing, craft discussions, faculty readings, and a special reading by ASF’s Short Story Contest Judge Rick Moody. (Participants who register by October 1, 2009 receive $100 off the total conference fee.)

Need more info? See www.bfawwc.com or call 800.393.6975 or 386.427.6975.

Banned Books Week: Remaining Vigilant for Intellectual Freedom

28 Sep

ASF can’t skip Banned Books Week (September 26-October 3) this year or any year, but our hearts sure do when we take a look at the numbers.

GallyCat reported a while back on the new Google Map on the Banned Books Week website, documenting attempts to censor books across America. (I’ll wait while you take a look.)

By the appearance of that map, you’d think 1885 and Mark Twain was trying to float Huck Finn and Jim on through. According to the American Library Association (ALA), we haven’t come all that far:

“[T]here were at least 513 [challenges to books in schools and libraries in the United States in 2008. But the total is far larger. Seventy to 80 percent are never reported.”

GalleyCat counts only five states that have “managed to get through the last two and a half years without a single case of a challenged book being reported to the ALA: South Dakota, New Hampshire, Vermont, New Mexico, and Delaware.” Remember, however, those numbers don’t speak to large number that stay within a community, officially unreported.
banned-books-readout.jpg

The map is really cool, though, so be sure to take a look: Clicking on each blue tab gives you a summary of the specific challenge raised.

A“Readout” in Chicago’s Bughouse Square on Saturday, September 26, kicked off Banned Books Week. The event included six authors responsible for titles on the ten most challenged books of 2008, from And Tango Makes Three and Uncle Bobby’s Wedding to the Gossip Girls series.

Let ASF know about events planned in your community.

Five Star Friday: Every Blog Has Its Day

25 Sep

Find and|or nominate excellent writing across the blogosphere at Five Star Friday (“the best of what’s being thought and said on the web”).

Five Star Friday

Run by Schmutzie, Five Star Friday hosts a weekly collection of links to what they call “superior weblog entries from all genres that have been submitted by the people, for the people.”

Anyone can submit entries (but please, says Shmutzie, don’t be a putzie—refrain from nominating your own writing).

Three-Minute Fiction: The NPR Series

24 Sep

First, the bad news: NPR’s summer Three-Minute Fiction contest, which ran for 10 days in August, is over. The good news: results are piling up on the NPR site.

The Rules: Each story is less than 600 words, readable in three minutes, and begins with this sentence, given by NPR: “The nurse left work at five o’clock.” There are other fine-print style rules, and if you must read them, go here. If you’d rather read the submissions NPR likes best, go here.

More than 5,000 writers responded. Favorites, including the following contender, will continue to be posted every week until the New Yorker‘s James Wood picks the winning story and reads it on the air.

Here’s just one:
A person underneath a sheet. iStockphoto.com

“Working Hours”

The nurse left work at five o’clock. My heart stopped beating at 5:01.

U of Iowa Press Contests

23 Sep

The University of Iowa Press
University of Iowa Press has good news times two.

The Good News part: A competition is on for authors of a previously unpublished volume of prose. The Times Two part: Your chances are twice as good, as you might win either (1) The Iowa Short Fiction Award or (2) the John Simmons Short Fiction Award. The Best part: No submission fee! No application forms!

The fine-print part: Each manuscript must be a collection of short stories in English of at least 150 word-processed, double-spaced pages. Previously entered manuscripts that have been revised may be resubmitted. Writers are still eligible if they have published a volume of poetry or any work in a language other than English or if they have self-published a work in a small print run. Writers are still eligible if they are living abroad or are non-U.S. citizens writing in English. Award-winning manuscripts will be published by the University of Iowa Press under the Press’s standard contract. Current University of Iowa students are ineligible. Postmark entries by September 30. Winners will be announced early next year.

Mail manuscripts here:

Iowa Short Fiction Award
Iowa Writers’ Workshop
507 North Clinton Street
102 Dey House
Iowa City IA 52242-1000

Read up on all the rules. Check out previous winners.

On Ritual: ASF Contributors on Their Writing Routines (Today: Josh Weil)

21 Sep

Today, we wrap up our six-day series on writers and their rituals—or lack of them—by presenting

On Ritual
Josh Weil, “The First Bad Thing,” Fall 2009

These past few months I’ve been shaken out of my rituals, and, to be honest, I’m starting to panic. Flat-out panic, I tell you: I haven’t written a lick. How can I without my predawn waking, my lying on the cot in the cabin staring at the world outside the window just beginning to get blue? Each morning, I put on my writing clothes: old jeans, an even older shirt soft with age except where it’s stiff with iron-on patches, comfy socks, slippers held together with duct tape. I climb down the ladder from the attic. While the coffee maker gurgles, I set a kettle to boil. I stretch my back out. When the kettle’s mouth blows steam, I fill one thermos with coffee, another with hot water, set them side by side on my desk. Then I carry a slice of toast out onto the porch. I watch the land take shape. I think about what I’m going to write about. Inside, I sit at the old end table I use for a desk and fill the heavy white diner mug my brother gave me long ago, and hold it in my hands, warming them. I think of a distraction—anything in life outside of my writing—and breathe out long, blowing it away from my mind. I breathe in thinking about what I’m going to write. I repeat, and repeat, the mug warm in my hands, until I’ve gotten my mind where it needs to be. Rituals? Right now, newly moved to an apartment in Baltimore, waking to the sounds of sirens and creak of people walking in the apartment above my head, I’d be lost without them. I’ll hold each ritual in my mind, and I’ll sit still with them, and hope that they will warm me the way my mug—still with me, thank God—does my hands.”

In the end, each of our six writers has shown us there’s no simple solution to creating a work of complex and thoughtful art, though each artist handles prep time and style uniquely and intimately.

We at ASF recognize their day-after-day determination to breathe life into the page. Perhaps this is how we understand that we are looking less for the “how-to” than the “how cool!” in their prep time. And we hope their work is rewarded with enduring success.

That and we enjoyed their answers so much, we’re going to keep asking our contributors to fess up. . . Stay tuned.

If there’s an ASF author whose rituals you’d like to hear about, comment below. We’ll report back soon.

On Ritual: ASF Contributors on Their Writing Routines (Today: Melissa Swantkowski)

18 Sep

Today, as part of a six-day series, we present our findings, from the silly to the sublime: the routines and rituals—or lack of them—of each of the following writers. . .

Stephanie Austin * Scott Garson * Amelia Gray * Matthew Salesses * Melissa Swantkowski * Josh Weil

On Ritual

Melissa Swantkowski, “How to Fall in Love,” Web Exclusive, Miss August 2009

“Creating and discarding rituals is my ritual. I can never write in the morning. So, sometimes, I vow to put 500 words on the page before going to work. I set the coffeepot to drip before my alarm goes off. Time’s up. The coffee’s cold. I think about it all day. I can never work at home. I need background noise. Please be quiet. Back at home, I clear the table, make an immaculate workspace. Delete a full page. Press Control Z to get it back. Pour a bourbon, 3 ice cubes. End up on the couch, writing begins.”

If there’s an ASF author whose rituals you’d like to hear about, comment below. We’ll report back soon.

On Ritual: ASF Contributors on Their Writing Routines (Today: Matthew Salesses)

17 Sep

Today, as part of a six-day series, we present our findings, from the silly to the sublime: the routines and rituals—or lack of them—of each of the following writers. . .

* Stephanie Austin * Scott Garson * Amelia Gray * Matthew Salesses * Melissa Swantkowski * Josh Weil

On Ritual
Matthew Salesses, “Nicky Boy and Baby Girl Are Illustrated,” Web Exclusive, Mr. March 2009

“I never used to have one. But a busy schedule necessitates a routine. I get home from work, eat, watch ten to thirty minutes of television to wipe my mind, do Redivider stuff, waste time online to create motivation (through self-disgust), then write. Of the time I spend writing, much of it goes to the neurosis some call perfectionism, but which for me is writing the same sentences over and over again in a circle that inevitably leads back to the originals. After about two hours of this, I start to hate myself enough that I decide I either have to go on or give up. Almost always, I go on.”

*If there’s an ASF author whose rituals you’d like to hear about, comment below. We’ll report back soon.

On Ritual: ASF Contributors on Their Writing Routines (Today: Amelia Gray)

16 Sep

Today, as part of a six-day series, we present our findings, from the silly to the sublime: the routines and rituals—or lack of them—of each of the following writers. . .

* Stephanie Austin * Scott Garson * Amelia Gray * Matthew Salesses * Melissa Swantkowski * Josh Weil

On Ritual

Amelia Gray, AM/PM excerpts, published in ASF Spring 2009:

“I stuck to a strict schedule for my first book, writing one story in the morning and one story at night. For the second, I wrote without any ritual or romanticism—I wrote stories whenever I could, between working. Years ago, I tried a month where every day, I didn’t let myself get out of the chair in the morning until I had written 1,200 words. A very bad novel came of this. I don’t want to be prescriptive. If ritual feels good to you, do it. Just remember that the idea of ritual suggests a meditation; it doesn’t guarantee a means to any particular end.”

If there’s an ASF author whose rituals you’d like to hear about, comment below. We’ll report back soon.